A Little Piece of Advice

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Here is a seat that I started during the second class at the Mill. It was a C-arm class and everyone finished their chairs....except me

I was just out in Ohio/ Kentucky shooting a video for Lost Art Press on spindle turning, and was talking to John Hoffman about workshop stuff. John is the "other" half of LAP and he was telling me about his struggles to get back in the shop. He was suffering from something that I know well. The struggle to get into the shop and finish old projects to clear the way for new ones. I gave him a small piece advice that seemed to really help...I know, when does that happen?!

Let's face it, inspiration and motivation play a role in workshop life. Yes, I'd love to claim the ultimate self discipline and constant love of all things making that enable me to always float effortlessly to the shop, but that would be nowhere near the reality of shop life. The order in which things need to be done bears no actual connection to the impulse to do them. Sometimes it's no problem, other times it seems insurmountable.

Here is my take on the problem and a potential solution. After years of living through this problem, I came up with a mind game to help me along. Wood it turns out can transform to stone. Sure, when first cut, it's very soft and as it's milled and shaped it remains malleable, but all it takes is a short passage of time, a thin layer of dust, or a tiny bit of oxidation, and it turns to rock. No blade can breach the skin and gravity exerts such force that any attempt to even lift the work becomes painful. Strangely, the more parts in a project and the more often that it's moved out of the way, the more dense this stone becomes. I've seen it enough and I didn't get into this to wrestled with such density. I don't even try to overcome this, I have three options that have worked for me. 

1. Preventative: Never procrastinate...or better put, don't lie to yourself that finishing that project now or later are equal options, it's now or probably never.

2. Let it go: So you did procrastinate and must face the stone. This is a tough one given that most projects are started for a reason. I will fully and without shame abandon the piece, relegate it to the history of learning and understand that I got  out of it all that I needed. Sometimes this is enough to get me back in the shop and maybe even work back into the project at a later date, but at least I've broken the resistance. If nothing else, it's a reminder of the importance of option one.

3. What ever it takes to get back in the shop: Sometimes, this is the lowest of the tasks, such as sweeping, cleaning up, sharpening a chisel. Do it, just for the fun or simplicity. A cleaned off work bench and sharp tools beg for a project. Either start something small and new or grab a piece of stone/wood and break the spell. Often a single cut or plane mark is enough to get the blood back in the piece. I try remember that my path to the shop is easier when it's a question that brings me there. "How do you do that?" "Will that work?" or "Can I do that?" always provide an easier path than "I really should...."

I have spent many years learning to marshal my progress through a project and found through many conversations with other makers that it is a common problem and a big part of shop life. So go forth, give yourself a break and join the club.

 

A Place in the Sun

With the first class at Rollinsford over, I am over the moon with excitement. Teaching and spending time in the environment exceeded all my hopes and expectations. The smaller class has inspired me to cap my classes at 4 students, both for the best use of the space, but also for the pure joy of the calm pace and enjoyment that comes with having a small group. I'm going to bombard you with some photos of the class, try to keep in mind that we could hear the waterfall right outside the windows as we worked!

There is still one space available for the October Continuous Arm class, check the site for details. I am also making up the schedule for next years workshops, so please let me know what you would like to see on there.

The morning sun provides enough light for working until about 11

The morning sun provides enough light for working until about 11

Another view of the morning light

Another view of the morning light

Day one splitting out the parts

Day one splitting out the parts

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These two had loads of focus

These two had loads of focus

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Three glue ups, no big deal

Three glue ups, no big deal

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The obligatory class shot. I painted the one in the middle as a sample using Real Milk Paint's Sapphire, a new fav for sure

The obligatory class shot. I painted the one in the middle as a sample using Real Milk Paint's Sapphire, a new fav for sure

And the pups celebrated the end of class too

And the pups celebrated the end of class too

New Sights

Last week, I had the pleasure of accompanying Stephanie to Pennsylvania for a few days. The reason for the trip was to visit the DuPont Gardens at Longwood, but we also made it down to Winterthur to see some wonderful chairs.

 

The Main dining room at Winterthur

The Main dining room at Winterthur

Nope, not these, although they were worthy of my attention for the entire time we were in the room. I just thought it might be of interest to see how the other half lives. Other half of what I'm not sure.

 

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I deeply regret not having my good camera with me, but what follows are a few of my favorite sights in the hall of Windsors that I saw.

The staff was kind enough to give me a private tour of this room, it helps to ask. Much of the treat is the scale of the parts and the patina. It's so fascinating to see the thinness of the parts and the shapes.

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A dramatic stance!

A dramatic stance!

A stunning color

A stunning color

This seat was a favorite

This seat was a favorite

The thin size of the parts on this birdcage are astounding in person

The thin size of the parts on this birdcage are astounding in person

This triple back is a real eye catcher

This triple back is a real eye catcher

When your name is DuPont you can have two

When your name is DuPont you can have two

Pie Crust Table

Pie Crust Table

I know that this last image isn't the usual topic here, but it really caught my eye and has occupied my thoughts. While done in what is clearly a masterful way, the subtle marks near the edge of the flat area clearly show the undulations of the hand of the maker. It definitely made me think about how our modern sensibilities expect a machined level of perfection on all surfaces and if I was to see a drawing of this table, I would expect that those marks wouldn't be there. I wonder how the maker and owner of this piece thought about this in their time. I am certainly aware of hand tool marks being prized on some modern work, such as chairs, for their proof of the presence of the hand of the maker, but I can 't help but wonder what it was like when the maker was obvious simply by the existence of the piece.

A week from today is the first class that I'll host in my Rollinsford NH school, there is still space to join me to make a fan back or balloon back. I am excited to get the ball rolling!

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